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DTSTART;VALUE=DATE:20220415
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SUMMARY:EMERGENCE: Intersections at The Center
DESCRIPTION:OPENING RECEPTION:   \nAPRIL 15\, 6-8PM   \n  \nEMERGENCE: Intersections at the Center spotlights The South Side Community Art Center’s historical role in supporting a full spectrum of Black artists through an intersectional viewpoint. The first exhibition of its kind at the South Side Community Art Center\, EMERGENCE positions the Center as an important anchor for Black LGBTQ artists who belonged to its community from its founding in 1940 to the 1980s. The exhibition features work addressing identity and community\, queer spaces and performance\, in collage\, painting\, sculpture\, photography\, and more. \n  \n \n\nRalph Arnold (1928–2006). Love Sign II. Mixed media\, 1995.  \nCollection of the South Side Community Art Center. \n\n  \nEMERGENCE emphasizes the middle decades of the twentieth century\, from the 1940s to the 1980s. For much of this time period\, sexual orientation was heavily policed\, both literally by the Chicago Police Department\, and in a variety of other ways through the imposition of norms by society and its institutions\, such as church\, family\, medical institutions\, and school. For this reason\, many of the artists in the exhibition\, especially in the early decades represented here\, were careful to exercise discretion in their life and work. Most did not publicly identify themselves as gay\, lesbian\, trans\, or bisexual. At the same time\, particularly in Bronzeville\, Chicago’s South Side Black community held spaces that were open to participants of differing sexual orientations and identities. Political movements on behalf of Gay Liberation were active throughout this period\, gaining strength in the 1970s and 80s.   \nEMERGENCE features work by Ralph Arnold\, Richmond Barthé\, Sylvester Britton\, William S. Carter\, Mikki Ferrill\, Jonathan Green\, Juarez Hawkins\, Berry Horton\, Patric McCoy\, Charles Sebree\, Allen Stringfellow\, and Ellis Wilson.\n\n\nCurated by LaMar Gayles Jr. & zakkiyyah najeebah dumas o’neal\n  \n \nJuarez Hawkins (1962–). Self-Portrait. Oil pastel and acrylic onmuseum board\, 1992. Collection of the artist. \n  \n\nEMERGENCE promo image courtesy: \nMikki Ferrill (1937–). Untitled (Portrait of Terry Readus). Gelatin silver print\, 1973. Collection of the South Side Community Art Center. Design by Aay Preston-Myint.  \n  \nEMERGENCE is supported by a major grant from the Re-envisioning Permanent Collections program of the Terra Foundation for American Art and by a partnership with Northwestern University’s Department of Art History.\n             
URL:https://sscartcenter.org/event/emergence-intersections-at-the-center/
LOCATION:IL
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220502T190000
DTEND;TZID=America/Chicago:20220502T203000
DTSTAMP:20260415T183034
CREATED:20220426T191649Z
LAST-MODIFIED:20220427T232015Z
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SUMMARY:EMERGENCE CURATORS CONVERSATION
DESCRIPTION:CLICK HERE TO REGISTER VIA ZOOM \n\nIn conjunction with EMERGENCE: Intersections at the Center\, the current exhibition at the South Side Community Art Center\, the exhibition’s curators\, zakkiyyah najeebah dumas-o’neal and LaMar R. Gayles\, Jr.\, discuss the exhibition and the research that made it happen. The conversation will be moderated by Greg Foster-Rice ON ZOOM.\n  \nEMERGENCE spotlights LGBTQ artists who were part of the South Side Community Art Center’s early decades\, from the 1940s to the 1990s\, and presents the Center’s historical role in supporting a full spectrum of Black artists through an intersectional viewpoint.\n\n \nMikki Ferrill (born 1937). Untitled (The Garage). Gelatin silver print\, 1973. Mary and Leigh Block Museum of Art\, Northwestern University\, The Richard Florsheim Art Fund Purchase. \n  \n  \nzakkiyyah najeebah dumas o’neal is a visual artist\, arts organizer\, and educator based in Chicago. \nzakkiyyah has been included in numerous group exhibitions and has had several solo exhibitions at Mana Contemporary\, Blanc Gallery\, Indiana University\, and South Bend Museum of Art. Her work and arts programming has been presented in various forms at Museum of Contemporary Art Chicago\, NADA\, The Art Institute of Chicago\, The August Wilson African American Cultural Center\, Chicago Humanities Festival\, DePaul University\, and Harvard Graduate School of Design to name a few. She has also curated exhibitions at spaces such as Chicago Art Department\, Blanc gallery and Washington Park Arts Incubator at the University of Chicago. She was recently an Artist in Residence at Arts and Public Life at University of Chicago and an Artist in Residence at Indiana University in Bloomington\, IN. \nzakkiyyah is a Co-founder and organizer of CBIM (Concerned Black Image Makers): a collective of Black artists\, thinkers\, and curators that prioritize shared experiences and concerns by lens based artists of the Black diaspora\, through programming\, exhibitions\, and dialogues. \nLaMar Gayles (a native son of the South Side of Chicago) is an archaeologist\, independent curator\, material culture scholar\, and technical art historian. He is currently completing a PhD in Art Conservation and Preservation Studies at the University of Delaware after completing a MA in Museum and Exhibition Studies from University of Illinois at Chicago’s MUSE program while holding two separate positions: Archive and Collections Manager at the South Side Community Art Center and Executive Director at the Union Street Gallery. Gayles earned a Cum Laude BA with a triple major (art history\, archaeology\, and ethnic studies) from St. Olaf College. He has researched and curated exhibitions on Black American jewelry and its historical progressions from the seventeenth century to the twenty-first century\, including the 2021 exhibition “Divine Legacies in Black Jewelry and Metals” at the National Museum of Ornamental Metals. Gayles’s research methodology combines archaeometry\, arts-based research\, conservation science\, scientific instrumentation\, art historical analysis\, ethnography\, historical reproduction\, technical studies\, and qualitative research to explore material and visual culture. \nGreg Foster-Rice (he/him) is an associate professor of the history of photography at Columbia College Chicago. Most recently\, he curated The Many Hats of Ralph Arnold: Art\, Identity & Politics\, which opened at the Museum of Contemporary Photography (2018) and travels to DePauw University in Fall 2022. For that exhibition\, Foster-Rice edited and co-authored a scholarly catalogue of essays surveying Arnold’s extensive career (2018). Previously he co-curated The City Lost and Found: Capturing New York\, Chicago and Los Angeles\, 1960-1980 at the Art Institute of Chicago (2014) and Princeton University Art Museum (2015) and co-authored that exhibition’s catalogue which received the Philip Johnson Award from the Society of Architectural Historians. He also co-edited Reframing the New Topographics (2011) and contributed to the volumes Romare Bearden in the Modernist Tradition (2011) and Black is Black Ain’t (2013). He has a BA from Rice University and a PhD in Art History from Northwestern University. \n  \n 
URL:https://sscartcenter.org/event/emergence-curators-conversation/
LOCATION:IL
CATEGORIES:Emergence,Events
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DTSTART;TZID=America/Chicago:20220512T180000
DTEND;TZID=America/Chicago:20220512T193000
DTSTAMP:20260415T183034
CREATED:20220504T211318Z
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SUMMARY:AN EVENING WITH SHAWNÉ MICHAELAIN HOLLOWAY & CAMILLE BACON
DESCRIPTION:ZOOM REGISTRATION HERE\n  \nSSCAC is thrilled to invite you into one of many conversations between SHAWNE MICHAELAIN HOLLOWAY and Camille Bacon that have activated feelings of remembrance\, love\, grief\, and longing. For this program they will respond to the liminal\, but expansive spaces within EMERGENCE that relate to aspects of desire\, yearning\, and intimacy specific to the Black queer femme/lesbian gaze and ways of being.\n  \nSHAWNÉ MICHAELAIN HOLLOWAY is a new media artist and poet. Known for using sound\, video\, and performance\, HOLLOWAY shapes the rhetorics of technology and sexuality into tools for exposing structures of power. She has spoken and exhibited work internationally in spaces like Performance Space New York\, The New Museum\, The Kitchen\, The Time-Based Art Festival at the Portland Institute for Contemporary Art\, Institute of Contemporary Arts (London)\, and the Museum of Contemporary Art Chicago. SHAWNÉ is currently teaching in the Film\, Video\, New Media\, and Animation departments at the School of the Art Institute of Chicago.\n  \nCamille Bacon is a Chicago-based writer who is cultivating a “sweet Black writing life” as informed by the words of poet Nikky Finney and the infinite wisdom of the Black feminist tradition.\n  \nThis program is presented in conjunction with EMERGENCE: Intersections at the Center\, currently on view until July 2\, 2022.\nEMERGENCE: Intersections at the Center spotlights The South Side Community Art Center’s historical role in supporting a full spectrum of Black artists through an intersectional viewpoint. The first exhibition of its kind at the South Side Community Art Center\, EMERGENCE positions the Center as an important anchor for Black LGBTQ artists who belonged to its community from its founding in 1940 to the 1980s and beyond.\n  \nFunding for EMERGENCE programming is generously supported by Northwestern University.\n  \n 
URL:https://sscartcenter.org/event/an-evening-with-shawne-michaelain-holloway-camille-bacon/
LOCATION:IL
CATEGORIES:Emergence,Events
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DTSTART;TZID=America/Chicago:20220519T180000
DTEND;TZID=America/Chicago:20220519T200000
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SUMMARY:CEREMONIES: A SELECTION OF SHORT FILMS BY MARLON RIGGS
DESCRIPTION:RSVP HERE\n\nIn conjunction with EMERGENCE: Intersections at the Center\, the current exhibition at the South Side Community Art Center\, CEREMONIES will be screened IN PERSON\, in partnership with South Side Projections.\n\nCo-curator of EMERGENCE and SSCAC Public Programs and Engagement manager zakkiyyah najeebah dumas-o’neal will lead a post-discussion with Aymar Jean Christian\, associate professor of communication studies at Northwestern University and  co-founder of OTV | Open Television. Aymar also served as an advisory panelist during the organizing phases of EMERGENCE. \n  \nA filmmaker unlike any other\, Marlon Riggs was an unapologetic gay Black man who defied a culture of silence and shame. Riggs used a bold mix of documentary\, performance\, poetry\, and music to confront the legacy of racist stereotypes and the impact of AIDS on the Black community. He died in 1994 of AIDS-related illness\, leaving behind a vital\, living body of work that wrestled with the very definition of what it means to be Black.  \nMarlon Troy Riggs (1957-1994) was an American filmmaker\, educator\, poet\, and gay rights activist. He produced\, wrote\, and directed several documentary films including Ethnic Notions\, Tongues Untied\,  Color Adjustment and Black Is\, Black Ain’t. His films examine past and present representations of race and sexuality in the United States. \n  \n \n  \n  \nCEREMONIES directly references poet Essex Hemphill’s groundbreaking anthology of short stories and poetry Ceremonies: Prose and Poetry\, which won the National Library Association’s Gay\, Lesbian\, and Bisexual New Author Award when it was published in 1992. The book’s poems and essays expand on many important social issues at the time\, such as the white objectification of Black men\, as epitomized by Robert Mapplethorpe’s The Black Book; AIDS in the Black community; and the complex dynamics gay Black men experience in both the white LGBTQ+ community and in Black culture – very much in alignment with Rigg’s exploration of these topics as it appeared in his film works. In addition Essex Hemphill’s poetry was also featured in Marlon Riggs’ documentaries Tongues Untied (1989) and Black Is … Black Ain’t (1994). \n  \nThis program features three short films by Marlon Riggs: Affirmations (1990)\, Anthem (1991)\, and Regrette Rien (No Regret)(1993)\, of which depict the visual\, artistic\, and political convictions of a transformative and pioneering filmmaker whose work is a historical document of Black gay sexuality from a Black perspective and still deeply relevant today.  \n  \nThis program is generously supported by\, and in partnership with South Side Projections.  \nFounded in 2011\, South Side Projections presents films at locations across Chicago’s south side to foster conversation about complex social and political issues. At many screenings\, we enlist scholars\, activists\, and filmmakers to lead discussions\, while other screenings offer opportunities to present seldom-seen films of historical and artistic value to the communities of Chicago’s south side. 
URL:https://sscartcenter.org/event/ceremonies-a-selection-of-short-films-by-marlon-riggs/
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CATEGORIES:Emergence,Events
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