BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//South Side Community Art Center - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://sscartcenter.org
X-WR-CALDESC:Events for South Side Community Art Center
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20230312T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20231105T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20240310T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20241103T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20250309T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20251102T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20260308T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20261101T070000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240608
DTEND;VALUE=DATE:20240901
DTSTAMP:20260420T012920
CREATED:20250118T161543Z
LAST-MODIFIED:20250123T003208Z
UID:10759-1717804800-1725148799@sscartcenter.org
SUMMARY:Adler and Adler
DESCRIPTION:Exhibiting Artist Eli Greene | Curated by Amber Nax\nThe South Side Community Art Center in partnership with ICI\, presents “Adler & Adler”\, a poignant artistic response by Chicago-based artist Eli Greene to a selection of archival images from the Adler & Adler Studio: a Black-owned photography studio in what was once the Black Bottom neighborhood of Detroit. Founded circa 1910 by Charles and Mamie L. Adler\, the studio was one of the earliest Black photographic businesses in Detroit. Adler & Adler Studio was a place where people celebrated and immortalized the joys of everyday life: graduations\, weddings\, and the arrival of new family members. This site\, and Black photography studios across the country just like it\, were beacons of empowerment\, offering Black communities new agency in self-representation. For the first time\, it gave them power over how they were represented in the present\, and how they would be remembered by future generations. When the Adlers passed away in 1973\, they left no heirs\, and the studio\, along with its collection of photographs\, was left behind. Some of these photographs were later discovered and sold to The Charles H. Wright Museum of African American History\, where they now reside as a testament to the studio’s enduring impact. \n\nImages Courtesy of The Charles H. Wright Museum of African American History | Curated by Amber Nax\nAfter being approached by ICI with the idea of responding to the Adler & Adler images\, the artist\, while visiting family in Detroit\, photographed the old studio site\, now a park\, at 4215 Russell Street. Alongside the Adler & Adler images are (10) contemporary photographs of the site\, a drawing inspired by the studio backdrops present in the original images\, and a sound/video work. Invested in themes of memory\, trace\, and ghosts\, Eli Greene’s response to these images explores what it means to find something that you did not realize was lost. \nAbout the artist\n \nEli Greene holds a BA from Cornell University and an MFA from The University of Chicago. Through drawing\, film\, and performance\, her practice traces the act of one thing becoming another. Greene’s recent work has been exhibited in Chicago at The Smart Museum of Art\, Hyde Park Art Center\, Gallery 400\, Regards\, Goldfinch and Produce Model. She lives and works in Chicago. \nAbout the curator\n\nAmber Nax (she/her) is a multidisciplinary artist and independent curator native to Detroit\, MI. She graduated from Wayne State University\, earning an Art History B.F.A with a personal concentration in Black American and African history\, contemporary art\, culture\, and folklore. With a background in arts administration\, programming\, urban farming\, and museum studies.\nAmber deals in the archives of art. She is inspired by how an archive will reveal the past\, validate the present\, and inform the future. \nAbout the partnerships\nDr. Burroughs/Gayden Curatorial Fellowship for African American Curators:\nThe Dr. Burroughs/Gayden Curatorial Fellowship for African American Curators\, a unique initiative between the South Side Community Art Center and Independent Curators International\, is a beacon of opportunity for emerging curators. This fellowship\, honoring the late Dr. Margaret T. Burroughs\, provides a valuable career development opportunity and reflects SSCAC’s commitment to nurturing emerging Black talent through artistic initiatives. It supports curators’ research\, the actualization of an exhibition\, and the development of their professional networks\, offering a curatorial stipend of $1\,000 and an exhibition budget of $5\,000. \nSSCAC:\nFounded in 1940\, the South Side Community Art Center (SSCAC) stands as a testament to the resilience and creativity of the Black American art community. As the oldest Black American art center in the United States and a Chicago Historic Landmark\, SSCAC is a beacon of cultural heritage and innovation. We take pride in our rich past and continue to build on our legacy\, serving as an artist- and community-centered resource with diverse programs and exhibitions. The mission of the South Side Community Art Center is to conserve\, preserve\, and promote the legacy and future of Black American art and artists while educating the community on the value of art and culture. \nAbout ICI:\nIndependent Curators International (ICI) is a 501(c)(3)\, non-profit arts organization that focuses on the role of the curator in contemporary art. We support curators to help create stronger art communities through experimentation\, collaboration\, and international engagement. \nCurators are arts community leaders and organizers who champion artistic practice; build essential infrastructures and institutions; and generate public engagement with art. We work with art spaces in the US and around the world to present exhibitions and public programs for broad audiences; and professional development initiatives for curators. \nOur collaborative programs connect curators\, artists\, and audiences from across social\, political\, and cultural borders. They form an international framework for sharing knowledge and resources — promoting cultural exchange\, access to art\, and public awareness for the curator’s role. \nThe Wright:\nThe Charles H. Wright Museum of African American History opens minds and changes lives through the exploration and celebration of African American history and culture. Our vision is of a world in which the adversity and achievement of African American history inspire everyone toward greater understanding\, acceptance\, and unity.
URL:https://sscartcenter.org/event/adler-and-adler/
LOCATION:South Side Community Art Center\, 3831 S Michigan Ave\, Chicago\, IL\, 60653\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/webp:https://sscartcenter.org/wp-content/uploads/2025/01/adler_adler.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240914
DTEND;VALUE=DATE:20241222
DTSTAMP:20260420T012920
CREATED:20241026T145800Z
LAST-MODIFIED:20250129T232904Z
UID:10681-1726272000-1734825599@sscartcenter.org
SUMMARY:ReSOURCE
DESCRIPTION:Join us for the opening of ReSOURCE: Art and Resourcefulness in Black Chicago \n					\n									Visit the Virtual Experience
URL:https://sscartcenter.org/event/resource/
LOCATION:South Side Community Art Center\, 3831 S Michigan Ave\, Chicago\, IL\, 60653\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://sscartcenter.org/wp-content/uploads/2024/10/resource-exhibition-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250328T160000
DTEND;TZID=America/Chicago:20250426T000000
DTSTAMP:20260420T012920
CREATED:20250220T021206Z
LAST-MODIFIED:20250702T194435Z
UID:10795-1743177600-1745625600@sscartcenter.org
SUMMARY:Beyond Frames: Black Women Collectors Shaping Cultural Heritage in Chicago
DESCRIPTION:Curated by Bethany Hill and rachel dukes \nThis exhibition highlights a trailblazing group of Black women collectors in Chicago\, exploring their practices through care\, memory work\, and cultural heritage preservation. “Beyond Frames” celebrates an intergenerational group of women who continue this legacy today. Viewers can experience artworks from the personal collections of fourteen different Chicago collectors: Patrica Andrews-Keenan\, Carol Briggs\, Monique Brinkman-Hill\, Faye Edwards\, Felicia Grant Preston\, Frances Guichard\, Eleanor Hambric\, Beverly Normand\, Cynthia Smith\, Arcilla Stahl\, Christina Steed\, Gail Spann\, Sonia Spencer\, Alita Tucker\, and Shyvette Williams. Each collector was asked: \n\nWhat piece in your collection brings you the most joy?\nWhat piece represents an aspect of who you are?\nWhat piece best represents your journey as a collector?\n\nThrough these reflections and oral interviews\, “Beyond Frames” delves into the personal and cultural significance of their collections. These stories reveal how collecting Black art is not only a creative and curatorial act but also an act of cultural preservation\, resistance\, and community building. \nPictured from top left to bottom right: Sonia Spencer\, Patricia Andrews-Keenan\, Monique Brinkman-Hill\, Faye Edwards\, Felicia Grant Preston\, Frances Guichard\, Gail Spann\, Cynthia Smith\, Shyvette Williams (photography by Marvin Wells)\, Beverly Normand\, Alita Tucker\, Carol Briggs\, Christina Steed\nThe exhibition also honors ancestors Etta Moten Barnett\, Margaret Burroughs\, Frances Minor\, Linda Murray\, and Susan Woodson\, pioneering female collectors of Black art in Chicago. These women dedicated their lives to preserving the art of the African diaspora\, creating galleries and museums in their homes and building invaluable networks to support Black artists. \nPictured from top left to bottom right: Dr. Margaret Burroughs\, Etta Moten Barnett\, Linda Murray (Photo courtesy of Nubia Murray)\, Susan Cayton Woodson and Frances Minor at a celebration of Etta Moten Barnett\n“Beyond Frames” invites viewers to consider how art transcends traditional frames\, engaging with lived experience\, ancestral homage\, and memory. By celebrating these women\, “Beyond Frames” underscores the critical role of Black women collectors in sustaining African diasporic heritage. \nCourtesy of the South Side Community Art Center\nAbout the Co-Curators:\n\nBethany Hill (she/her) is an archivist\, curator\, and PhD candidate in Art History specializing in Black visual culture and Black feminist spatial practices. Her work explores the ways Black women cultural creators engage in radical spatial thinking and worldbuilding through art and archives. She’s passionate about preserving and celebrating Black cultural heritage by leading archival initiatives\, curating exhibitions\, and developing research projects that amplify Black creative legacies. She has led numerous curatorial and research projects at the South Side Community Art Center in Chicago\, highlighting its rich history and contemporary significance. Currently\, Bethany serves as the Community Engagement Coordinator at Duke University’s David M. Rubenstein Rare Book and Manuscript Library\, where she fosters collaborations that center Black voices in archival stewardship and interpretation.\n\nrachel dukes is a writer and curator based in Chicago. rachel has supported numerous curatorial projects across Chicago\, including at the South Side Community Art Center\, the Hyde Park Art Center\, and UIC’s Gallery 400. Her writing has appeared in the Chicago Reader\, Sixty Inches From Center\, LVL3\, and Black Embodiment Studio’s a Year in Black Art. A passionate advocate for community-based arts programming\, rachel also serves on the board of Chicago Tap Theatre. In her creative practice\, rachel explores the terrain for wonder that is uncovered through art and she is committed to sharing and nurturing this exploration within her community. \nAbout SSCAC: \nFounded in 1940\, the South Side Community Art Center (SSCAC) stands as a testament to the resilience and creativity of the Black American art community. As the oldest Black American art center in the United States and a Chicago Historic Landmark\, SSCAC is a beacon of cultural heritage and innovation. We take pride in our rich past and continue to build on our legacy\, serving as an artist- and community-centered resource with diverse programs and exhibitions. The mission of the South Side Community Art Center is to conserve\, preserve\, and promote the legacy and future of Black American art and artists while educating the community on the value of art and culture.
URL:https://sscartcenter.org/event/beyond-frames-black-women-collectors-shaping-cultural-heritage-in-chicago/
LOCATION:South Side Community Art Center\, 3831 S Michigan Ave\, Chicago\, IL\, 60653\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/webp:https://sscartcenter.org/wp-content/uploads/2025/02/I-Look-For-You_Delita-Martin.webp
END:VEVENT
END:VCALENDAR