BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//South Side Community Art Center - ECPv6.16.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:South Side Community Art Center
X-ORIGINAL-URL:https://sscartcenter.org
X-WR-CALDESC:Events for South Side Community Art Center
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20210314T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20211107T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20220313T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20221106T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20230312T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20231105T070000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220917T130000
DTEND;TZID=America/Chicago:20220917T150000
DTSTAMP:20260613T061714
CREATED:20220912T230624Z
LAST-MODIFIED:20220912T230624Z
UID:9375-1663419600-1663426800@sscartcenter.org
SUMMARY:THE GESTURE ITSELF IS PROTECTION SPELL
DESCRIPTION:Performative activations from current exhibiting artists R. Treshawn Williamson & Lola Ayisha Ogbara\, with special guest artist Jada-Amina.\n\n  \nBorrowed from Lola Ayisha Ogbara’s video work ‘Bound For Glory’ from her continuing series The Perfect Servant\, THE GESTURE ITSELF IS PROTECTION SPELL proposes questions of the body\, disruption\, labor\, acts of looking\, and materiality through movement\, sound\, and mythmaking.\nWilliamson\, Ogbara\, and Amina engage in multidisciplinary practices that reference homeplace\, memory\, and the “gaze” that take place across photography\, video\, sculpture\, sound\, and printmaking.\n\nTHE GESTURE ITSELF IS PROTECTION SPELL will feature a collaborative live sound activation by R. Treshawn Williamson and Jada-Amina followed by Lola Ayisha Ogbara’s video work ‘Bound For Glory’\, in which Ogbara uses Chicago’s labor intensive history\, centralizing Black women domestic workers\, to envision a radical future for Black lives. Ogbara finds an additional dialogue between sculpture and experimental photography that challenges our relationship to viewership. Ogbara questions\, “What lengths are we willing to go to in order to protect what is rightfully ours?” as she begins to imagine a collective disruption in the way we use our bodies to perform artistic labor.\n  \nIn the same ways Ogbara imagines collective disruption and Black women’s labor \, R. Treshawn Williamson and Jada-Amina also explore the Black maternal and cultural re-imagination through sound mixing and oral histories\, through what Amina describes as “a sonic meditation grounded in incantation and afro-sentimentality…”\n  \n \nImage courtesy of Lola Ayisha Ogbara. Bound For Glory. 4 minutes 36 seconds. 2021\n  \n\nThis program is the final program related to our current exhibition “…of the land: acts of refusal and ratification” \, which features new and recent works from Chicago-based artists Ajmal ‘Mas Man’ Millar\, Lola Ayisha Ogbara\, and R. Treshawn Williamson exploring sculpture\, self-imaging and history through postcolonial lenses\, collective & individual recollection and peculiar materialism.\n  \n*Top Image courtesy of artist Jada-Amina. Revolutions. 00:01:35 min. B&W Super 8 scanned to digital\, 2017.
URL:https://sscartcenter.org/event/the-gesture-itself-is-protection-spell/
CATEGORIES:Events
ATTACH;FMTTYPE=image/png:https://sscartcenter.org/wp-content/uploads/2022/09/Screen-Shot-2022-09-12-at-2.24.50-PM-1-e1663023903632.png
END:VEVENT
END:VCALENDAR